Photos are big part of our work here at Aracari; it’s difficult to promote travel in Peru and Bolivia without stunning visuals. Not only do we often find ourselves sifting through oodles of photos of Machu Picchu, the Salar de Uyuni or Lake Titicaca to find that perfect shot to inspire the imagination, we’re constantly honing our own photography skills in a bid to convey the experiences that Aracari offers those who travel with us. Living and breathing photos, we were naturally all very excited about the Lima Bienal 2014. The second edition of this biannual event brings together a range of photographers and curators from Peru, Latin America and further afield in a series of exhibitions held in galleries and cultural centres throughout Peru’s capital. The exhibitions kicked off in early April and will run until August, covering a variety of themes and subjects. The aim is to “highlight the histories of photography that stand out in 21st-century culture. The curatorial proposition seeks to organize this view of photography according to the dynamics of transformation, transition and expression.” We cherry picked our three favourite exhibitions from this year’s event, of which you can find details below. You can find full details of exhibitions on the Lima Photo Biennial website. El Cielo del Desierto - Maria Reiche y las Líneas de Nasca (The Desert Sky – Maria Reiche and the Nazca Lines) With Photos by Yann Arthus-Bertrand Centro Cultural Inca Garcilaso, Jr. Ucayali 391, Cercado de Lima Until June 29th 2014 This fascinating exhibition brings together photos and personal possessions of Maria Reiche, the German archaeologist famed for her work in conserving the Nazca Lines. The photos by Yann Arthus-Bertrand reveal Reiche’s pioneering work in protecting the archaeology of Peru’s southern desert, with a number of shots displaying the vast
Photos are big part of our work here at Aracari; it’s difficult to promote travel in Peru and Bolivia without stunning visuals. Not only do we often find ourselves sifting through oodles of photos of Machu Picchu, the Salar de Uyuni or Lake Titicaca to find that perfect shot to…
Specialist Guide Holly Wissler Holl Wissler, an ethnomusicologist, is one of Aracari's specialist guides in Peru. Her academic research and wealth of experience in remote Andean communities puts her in a privileged position to share unique insight into rural andean life and the role of music in these communities. The importance of music in Andean Culture Music has always played a key role in Andean culture, long before the Incas, and it continues to retain its importance even today in the communities of Peru, though traditional cultural practices have been lost in many places. The community of Q’eros located in the Paucartambo province, about 160 kilometres (100 miles) northeast of the city of Cusco, has managed to retain many of their traditions like weaving, music and spiritual rituals. Because of their location in a region with three distinct ecological zones, the Q'eros people have been able to remain self-sufficient, and thus, have maintained these traditions with little influence from outside culture. Even so, there exists the risk that younger generations will lose their cultural traditions in favor of modern culture, which they encounter during visits to the city of Cusco. Ethnomusicology Holly Wissler, originally from Iowa, began living and working with the Q'eros community in 2003 after having spent over two decades as a travel tour guide in the southern Andes of Peru. With a master's degree in performance flute and a PhD in ethnomusicology, Holly’s background has allowed her to connect to these Andean peoples through the expression that moves them most: music. Preserving the musical heritage of the Q'eros Accustomed to giving lectures for various universities, Holly has brought the music of the Andes to the rest of the world and has also returned 50 years of musical recordings, documentaries and publications (hers and that of others) to the Q'eros. In this
Specialist Guide Holly Wissler Holl Wissler, an ethnomusicologist, is one of Aracari’s specialist guides in Peru. Her academic research and wealth of experience in remote Andean communities puts her in a privileged position to share unique insight into rural andean life and the role of music in these communities. The…
Tourism in Peru over the past couple of decades has seen immense progress and growth, but with any development, the positive results are inevitably shadowed by accompanying negative effects. Looking at tourism in Peru, we could certainly sing an anthem, celebrating the many advances in infrastructure, management, quality of service and of course, the revenue that it has generated for the Peruvian economy. However, there is always room for improvement, and in Peru, some of these improvements, if not made, could be decisive, as struggles to increase sustainability, reduce environmental impact and manage major tourist destinations threaten the future of tourism in the country. Is it possible that without making changes, a decade from now we could be singing a requiem, mourning the demise of Peruvian tourism? This is precisely the topic that Aracari founder Marisol Mosquera tackled in a talk she was invited to give by the Anglo-Peruvian Society at the Peruvian Embassy in London on Wednesday evening titled, as one might expect, “Peruvian Tourism: Anthem or Requiem?”. The Anglo-Peruvian Society, founded in 1961, aims to, “advance the education of the people of Great Britain about Peru, its people, history, language and literature, its institutions, folklore and culture and its intellectual, artistic, and economic life”. The society meets regularly and hosts events that feature a myriad of aspects of Peruvian culture and society while also fundraising for charities located in Peru. Given that Marisol has nearly two decades worth of experience in as a Peru travel specialist, she was well primed for such a discussion of the good, the bad and the ugly in the current state of tourism. What follows is an abridged version of excerpts from Marisol’s talk, which was, by all accounts, a great success. Special acknowledgment is due to Maria Eugenia de Aliaga, Kurt Holle and Roger Valencia
Tourism in Peru over the past couple of decades has seen immense progress and growth, but with any development, the positive results are inevitably shadowed by accompanying negative effects. Looking at tourism in Peru, we could certainly sing an anthem, celebrating the many advances in infrastructure, management, quality of service…
My first time in Peru was like the first time I fell in love: intense, beautiful and overwhelming. So incredible I want to talk about it, so pour yourself a drink and sit down, dear readers: here we go, destination South America, the huge Andes and the mystical history of the Incas! My first Impressions of Luxury Travel in Peru. My first stop took me by surprise: Lima. The cosmopolitan city is such a metissage (melting pot) of culture, color and style. Here the stylish, modern buildings overlooking the ocean dance with some impeccable colonial-style houses. In Lima you can either decide to spend your day surfing or, my favorite, running around art galleries and museums. I expected to visit a huge capital and did not realize the place is a living museum! The Spanish built Lima as the capital of their colonial empire, but they were not the first in doing so; pre-Inca civilizations had already constructed an important commercial center here long before. As the result of this, Lima is a living archaeological site! Everywhere you can see testimony of ancient times and a perfect introduction to understanding the importance of those vestiges is to take half a day to visit Larco Museum. The place is so charming and the visit cleverly done—it’s a must! As my guide said: Peru has too much to offer! Sculpture, incredible fabrics and of course jewelry…ladies, let’s face it, Cartier has not invented anything, they made it all before—here! After the visit, I enjoyed a delicious lunch in their terrace below the shade of magnificent tree…what a way to start my first day! My first afternoon was ideal, wandering around the BoBo (Bougeois Bohemien) area of Barranco; I felt at home here: art galleries, the contemporary art museum (MAC) and boutiques of
My first time in Peru was like the first time I fell in love: intense, beautiful and overwhelming. So incredible I want to talk about it, so pour yourself a drink and sit down, dear readers: here we go, destination South America, the huge Andes and the mystical history of…
Chambi Archives: A Snapshot of the Past On a quiet side street in the city of Cusco , you will find the archives of Martín Chambi, one of the first indigenous photographers of Latin America to gain international acclaim. His photographs, which range from some of the first mystic shots of Machu Picchu to a striking portrait of the giant of Llusco, are widely known and inevitably leave a lasting impression on viewers. It is very likely that you have, at some point or another, seen one of his photos without realizing it. Martín’s grandson, Teo Allain Chambi (pictured above), is the keeper of this precious collection of some 30,000 photo negatives on glass plates, spanning from 1917-1970, which can be visited by special arrangement with Aracari. Visiting Martin Chambi Archives in Cusco Visting Cusco I had the opportunity to check out the Martin Chambi Archives with Aracari and found myself sitting across from Teo Allain on a bench that had originally belonged to his grandfather’s studio. Books about Martín and his works layered the top of the trunk between us. I flipped through them while listening to Teo narrate an overview of his grandfather’s history. Teo is one of Aracari's specialist guides who offers guests a unique an privileged insight into the work and life of photographer Martin Chambi. The Life of Martin Chambi In 1891 Martín Chambi was born into a family of farmers in Coaza, a province north of Lake Titicaca . While visiting a mine with his father, Martín saw a British man taking photographs with his camera and decided that he wanted to be a photographer. With his family’s support, Martín moved in 1908 to the city of Arequipa to pursue photography and spent the next nine years apprenticing at the studio of Max T. Vargas. After,
Chambi Archives: A Snapshot of the Past On a quiet side street in the city of Cusco , you will find the archives of Martín Chambi, one of the first indigenous photographers of Latin America to gain international acclaim. His photographs, which range from some of the first mystic shots…
Festivals in Peru, La Diablada At this time of year in Peru, many colorful festivals begin leading up to Holy Week. One of the most famous takes place in Puno by Lake Titicaca in early February called. La Virgen de La Candelaria, which features hundreds of traditional dances and brilliant masks and costumes. This year it is estimated that some twenty thousand tourists will go to Puno to see the festival. You can read in more detail about the festival and its history in a previous blog post, Peru’s Vibrant Candelaria Festival – Puno. One of the most well-known dances at the festival is called la danza de la Diablada, which translates as the Devil’s Dance. The dance has roots in the Altiplano of Peru, Bolivia and Chile and in 2003 was named a part of Cultural Heritage of Peru. While the Diablada is not exclusive to La Virgen de La Candelaria, it is one of the most popular because of the ornate costumes and the bright masks worn by dancers representing the devil or forces of evil. There are various versions of the dance’s origin, but essentially, the theme of the dance is the constant struggle between good and evil, with St. Michael the Archangel representing good and the devils representing evil. The dance is an example of syncretism, fusing the Christian tale of St. Michael leading God’s armies against the forces of Satan in the New Testament with the Aymara legend of Supay and the miners. The narrative goes that miners were trapped in a cavern by Supay, the deity of evil who lived inside of the earth, when La Virgin saved them from the fiery cavern. From a combination of these two tales, the dance takes its roots. Over time the choreography has changed and become more dynamic
Festivals in Peru, La Diablada At this time of year in Peru, many colorful festivals begin leading up to Holy Week. One of the most famous takes place in Puno by Lake Titicaca in early February called. La Virgen de La Candelaria, which features hundreds of traditional dances and brilliant…